8/21/2023 0 Comments Harmony korine spring breaker![]() But then everything surrounding it, the energy surrounding it and all the tentacles out there are a kind of conceptual umbilical cord.” I feel like essentially it’s tied to all of that stuff, but the film itself is unto itself. “The movie is about that world in a lot of ways, and it is a kind of cultural mashup. “I feel like that’s what is,” says Korine. ![]() The film taps into the zeitgeist of social media, Instagram and EDM music, a far cry from the VHS aesthetic of Trash Humpers. But then Spring Breakers came along, springing forth from the simple image of bikini girls in ski masks. With the mixed critical response to Mister Lonely in 2007 and the nearly unwatchable non-narrative visual nightmare of Trash Humpers in 2009, it seemed like the director might have run out of tricks. Korine finally bottomed out in drug-induced oblivion in the early 2000s. The strange got even more bizarre with a series of beguiling Letterman appearances combined with a high-profile tabloid romance with Chloe Sevigny and the sense that he had burned out on film altogether. Ardently flipping his middle finger to any notion of mainstream success, Korine followed the critical goodwill of Kids with his unblinking, white-trash, cat-killing opus Gummo. His first script Kids, penned at age 19, became an art-house sensation. What’s so strange about all this is that Harmony Korine’s filmography-and life-goes hard. Some kind of deep sociopath, with also this kind of frenetic poetry.” I wanted to turn it into something that was wilder and almost like a gangster mystic. “They were those white dudes who used to rap on the bus with cornrows and gold teeth in the South. “He’s an amalgamation of a lot of different kids I used to know growing up and rode the school bus with in junior high school,” says Korine of Franco’s character Alien. It’s not going to be long before James Franco’s entire manic “Look at my shit” monologue becomes more ubiquitous than a Borat-ism. The fever for the film has spread throughout the online world, with fan-made art, mashups, GIFs, celebrity tweets and themed stories. His new film Spring Breakers is emerging as one of the most unexpected cinematic success stories in recent memory (breaking records its opening weekend and becoming 2013’s most lucrative limited release so far), and has quickly mushroomed into a full-blown cultural phenomenon. It also seems a completely sincere thought from a man who can be notoriously deflective and squirrely in interviews. ![]() In its brevity and simplicity, it nicely sums up Korine’s life and work. “You gotta go hard, or what’s the point, right?” This is the last thing Harmony Korine says to me before our time is up.
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